POETRY
Introduction by Arlene Ang
Scott M. Bade - Notice:
Helena Bell - Cleaning the Q ...
Joan Colby - Demain (Tomorro ...
Rebecca Cross - The Doll Aft ...
Nicelle Christine Davis - A ...
Stewart Florsheim - The Mach ...
Christopher Lirette - Lacuna
Sean Lovelace - 5 of Spades
Scott Owens - Light Falls an ...
Judith Skillman - The Skull
Leonore Wilson - Covenant
Gerald Yelle - Ewer
Scott M. Bade - Notice:
Helena Bell - Cleaning the Q ...
Joan Colby - Demain (Tomorro ...
Rebecca Cross - The Doll Aft ...
Nicelle Christine Davis - A ...
Stewart Florsheim - The Mach ...
Christopher Lirette - Lacuna
Sean Lovelace - 5 of Spades
Scott Owens - Light Falls an ...
Judith Skillman - The Skull
Leonore Wilson - Covenant
Gerald Yelle - Ewer

FICTION
Introduction by Bruce Boston ...
Jane Yolen - When Elder Sist ...
Bruce Golden - Blind Faith
Liz Argall - Cracked Leather
Howard V. Hendrix - Falling ...
Beth Cato - Biding Time
Eric Schaller - Cabinet Numb ...
Joe McKinney - Sabbatical in ...
Jane Yolen - When Elder Sist ...
Bruce Golden - Blind Faith
Liz Argall - Cracked Leather
Howard V. Hendrix - Falling ...
Beth Cato - Biding Time
Eric Schaller - Cabinet Numb ...
Joe McKinney - Sabbatical in ...

The Pedestal Magazine > Archives > ISSUE FORTY-FIVE: Apr-Jun (08) > Poetry >Anne Agnes Colwell - Revisions
| What you can't see from this window, Although you're six stories up, Although you see nearly the whole city, Is the green bench by the river, Or the woman standing beside that bench Who walks and sits, walks and sits, Or her hand readjusting the pink scarf Or the watch on her wrist that says Everything's doubtful. What you can't see are the frogs Curled like brown fists in frozen mud Or the cicada shell snagged On the bark of the poplar, Or the torn squirrel's nest in its branches. You can see the river, But not the bench. You can see the highway, The headlights, but not the one car Or the one man who steps Out of it, buttoning his coat, going down the river walk–one, two, three steps–before he stops, curses, Pushes his hands through his hair, Reverses direction. But if you watch the river Long into the night, if you lower Yourself from the window Down and down into its brown Rush, you'll see what remains, taste The reverb of his scotch at the back Of your throat, feel the ache in your instep from her four-inch heels. You'll see the dresser where he throws His change, the mirror she frowns into. Hairbrush, coffee mug, lipstick, keys. Anne Agnes Colwell is an Associate Professor of English at the University of Delaware. In 2007, she received an Emerging Artist Award in Fiction from the Delaware State Arts Council. She also received the Dogfish Head Poetry Prize for 2007 which included publication of her chapbook Father´s Occupation, Mother´s Maiden Name. Her work has appeared in several journals, including California Quarterly, Evansville Review, Southern Poetry Review, Poetrybay, and Octavo. An online chapbook of her poems appears in The Alsop Review. Her first book of poems, Believing Their Shadows, is forthcoming from Word Press. She received the Delaware State Arts Council´s Experienced Artist in Poetry Award in 1999. Her critical book, Inscrutable Houses: Metaphors of the Body in the Poems of Elizabeth Bishop, was published by the University of Alabama Press. She lives in Milton, Delaware with her husband, James Keegan, and son, Thomas. |
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Anne Agnes Colwell is an Associate Professor of English at the University of Delaware. In 2007, she received an Emerging Artist Award in Fiction from the Delaware State Arts Council. She also received the Dogfish Head Poetry Prize for 2007 which included publication of her chapbook Father´s Occupation, Mother´s Maiden Name. Her work has appeared in several journals, including California Quarterly, Evansville Review, Southern Poetry Review, Poetrybay, and Octavo. An online chapbook of her poems appears in The Alsop Review. Her first book of poems, Believing Their Shadows, is forthcoming from Word Press. She received the Delaware State Arts Council´s Experienced Artist in Poetry Award in 1999. Her critical book, Inscrutable Houses: Metaphors of the Body in the Poems of Elizabeth Bishop, was published by the University of Alabama Press. She lives in Milton, Delaware with her husband, James Keegan, and son, Thomas.

