POETRY
Introduction by Arlene Ang
Scott M. Bade - Notice:
Helena Bell - Cleaning the Q ...
Joan Colby - Demain (Tomorro ...
Rebecca Cross - The Doll Aft ...
Nicelle Christine Davis - A ...
Stewart Florsheim - The Mach ...
Christopher Lirette - Lacuna
Sean Lovelace - 5 of Spades
Scott Owens - Light Falls an ...
Judith Skillman - The Skull
Leonore Wilson - Covenant
Gerald Yelle - Ewer
Scott M. Bade - Notice:
Helena Bell - Cleaning the Q ...
Joan Colby - Demain (Tomorro ...
Rebecca Cross - The Doll Aft ...
Nicelle Christine Davis - A ...
Stewart Florsheim - The Mach ...
Christopher Lirette - Lacuna
Sean Lovelace - 5 of Spades
Scott Owens - Light Falls an ...
Judith Skillman - The Skull
Leonore Wilson - Covenant
Gerald Yelle - Ewer

FICTION
Introduction by Bruce Boston ...
Jane Yolen - When Elder Sist ...
Bruce Golden - Blind Faith
Liz Argall - Cracked Leather
Howard V. Hendrix - Falling ...
Beth Cato - Biding Time
Eric Schaller - Cabinet Numb ...
Joe McKinney - Sabbatical in ...
Jane Yolen - When Elder Sist ...
Bruce Golden - Blind Faith
Liz Argall - Cracked Leather
Howard V. Hendrix - Falling ...
Beth Cato - Biding Time
Eric Schaller - Cabinet Numb ...
Joe McKinney - Sabbatical in ...

The Pedestal Magazine > Archives > ISSUE THIRTY-SIX: Oct-Dec (06) > Poetry >Liz Gallagher - Episode iii: The Day the Shelling Started
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for Zena el-Khalil The doctors said her tumors had shrunk. A wedding took place across the street. Everyone stopped at the red lights. She wants to cash checks, stop the mosquitoes coming in the window and prevent small children from wading through garbage heaps. She lists by candlelight the things she doesn´t want to leave behind: the doodles she drew on the balcony after the break-up, family pictures, love letters, glitter and paint, her Siamese who cowers in an empty milk crate stained with vomit. Plain wooden caskets are just big enough to hold babies. They lie alongside a white freezer truck. An artist in Lebanon ties a microphone to his balcony to record the “Summer Rain" of bombs breaking the sound barrier, he plays the trumpet in the background and sketches drawings in the hushed seconds of a starry night. An ex-hostage dreams of the bloodletting being over. He imagines one day sitting under a magnificent oak and letting the beauty of the place soak into him. Liz Gallagher lives in the Canary Islands, Spain. She teaches English in the Foreign Language Department of Las Palmas University and is currently completing a PhD on “Online Learning." Her work has appeared or is forthcoming in Centrifugal Eye, Wicked Alice, and Mannequin Envy, as well as a recent anthology of writing from women entitled Eve…a celebration of creative women. "The Day the Shelling Started" is part of a series of sixteen "war observer" poems related to war in Lebanon. |
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Liz Gallagher lives in the Canary Islands, Spain. She teaches English in the Foreign Language Department of Las Palmas University and is currently completing a PhD on “Online Learning." Her work has appeared or is forthcoming in Centrifugal Eye, Wicked Alice, and Mannequin Envy, as well as a recent anthology of writing from women entitled Eve…a celebration of creative women. "The Day the Shelling Started" is part of a series of sixteen "war observer" poems related to war in Lebanon.

